I love Heart. LOVE Heart. Crazy On You? Magical. Magic Man? Beyond magical. So WTF happened in the late 80s? Sure, they had some good songs, but then this song blasted out into every radio in 1990, and everyone knew every word, possibly against their will. You know the story.
It was a rainy night, when the hottest non-serial-killing hitchhiker got picked up by a younger, thinner version of Ann Wilson.
“Please, please, please don’t have an STD.”
They chatted for a bit, and then fell in love, and then they found a hotel. It was a place she knew well. They don’t show this in the video, but there’s a scene where the clerk says, “Ovulating again?” and she’s all “Dude, icksnay on the ovulatingway.”
“Please, please, PLEASE don’t have an STD.”
Then they have lots and lots of the sex, and he’s really, really good at it. And then she’s all sad the next morning, and leaves the worst Dear John note ever. For those of you who don’t remember all the words, it goes like this:
I am the flower; you are the seed. We walked in the garden. We planted a tree. Don’t try to find me; please don’t you dare. Just live in my memory. You’ll always be there.*
“Crap. Does this mean she has something growing down there? I hope it’s not the clap.”
Then it happened one day, dontcha know, that they came round the same way. Which, by the way, seems to also be at a motel; maybe he bought the place because he had such fond memories? The good news for us is, he lost his contact lenses, and it turns out he’s even hotter in librarian glasses.
“Crap. It wasn’t the clap.”
Unfortunately for the kid, that means he also has a 50% chance of having bad eyesight. But it’s OK. He’s growing up in the age of LASIK.
I find the wording in this part interesting: “I’m in love with another man, and what he couldn’t give me was the one little thing that you can.”
Judging by the look on Hot Hitch’s face, I think we’re all in agreement that this is so not a little thing. This is way bigger than a breadbox and fixing to keep getting bigger for the next 18 years or so. On the upside, she knows where the guy works, so when Little Hitch starts asking for a kid sister, she knows where to go.
One last thought for your weekend: WTF is Nancy Wilson making out with the guitar?
The safest sex there is!
* Semicolons mine. This twit doesn’t know a semicolon from an em-dash.
SlumberPartyMovies recently had an opportunity to interview George Michael about his epic video, Club Tropicana, which has always puzzled me on a few counts.
SPM: Great to meet you, George! Long time-listener, first-time interviewer. Let’s jump right in: Why weren’t the credits in the Wham! The Hits VHS version?
GM: Look at two beautiful women in matching slouchy shirts clip-clop along a darkened path and forget your question.
SPM: Who the fuck is this guy?
GM: Look at me posing with a white wine spritzer and forget your question.
SPM: Where is the place where membership’s a smiling face, where strangers take you by the hand and welcome you to wonderland?
GM: Beneath the Panama.
SPM: Wait, like south of the Panama, or underground, or what?
GM: No, sorry. I meant they welcome you from beneath their panamas. Like hats.
SPM: Oh, so where is it? Acapulco? It must be Acapulco, right?
GM: Look into my eyes and forget your question.
SPM: Who the fuck is this guy?
A: Look at me showering and forget your question.
SPM: Why is it that all that’s missing is the sea, when you’re clearly sitting on the beach in this scene? And you talk about soft white sands and blue lagoons?
A: Look at me showering and forget your question.
SPM: Why is Andrew Ridgeley wearing long jams, and you’re in a white speedo?
GM: I am Greek and he is not.
SPM: That’s fair. But his hair is clearly better than yours.
GM: Look at these women’s crotches and forget you ever thought that.
SPM: Who the fuck is this guy?
GM: Look at us me angry in a cowboy hat and forget your question.
SPM: Do the girls stop and pick you up or leave you stranded?
GM: Look at me shaving naked and forget your question.
SPM: OK, so you’re pilots and they’re flight attendants? Why did you act like you didn’t know each other? Or were just surprised that they’re really hot in bikinis? Do you know each other or not? And are you on furlough or something, which is why you’re a pilot and permitted to drink all day and bake in the sun for a week? and honestly, I know it’s the 80s, but it’s a little sexist that you guys get to be pilots and they’re attendants.
GM: Look at Andrew showering and forget your question.
SPM: Forget my question? That’s a weird thing to say! No!
GM: Then look deeply into my eyes and forget your question.
SPM: Where are you going on those donkeys?
GM: Look at us shirtless, playing the trumpet, and forget your question.
SPM: Forget my question? That’s a weird thing to say! No!
GM: Look at us in pilot uniforms and forget your question.
SPM: Wow! Looks like that’s all the time we have for today. Thanks, George! You’re a true SlumberPartyMovie god.
Seventh grade sucks. I would list all the adjectives that could the levels of its suckitude, but you’ve been through it. You understand it. There should be an “It Gets Better” series just for 12-year-olds, regardless of their sexuality.
It does get better, by the way.
Fortunately, at the end of the long, dark hallway that was seventh grade was a glorious escape that will surprise none of you Lerlines out there: theater. I auditioned for, and was awarded, the role of Mammy Yokum in our high school’s spring musical “Li’l Abner,” and I spent the last three months of that awful year in the company of seniors. Seniors! These were the elder statesmen, who’d been through junior high and come out the other side not just alive, but popular, even. (My school was so small that seventh graders were cast in the high school musical, and even the popular kids did theater.)
That was my actual costume, down to the corncob pipe.
I could talk about Marci (Daisy Mae) and Kenny (Li’l Abner), who were THE couple of the day, and how they wasted valuable I-love-you-no-I-love-you hours counseling me on the awfulness of frenemies. I could mention how wonderful it was to escape into sassy Mammy Yokum’s bonnet and boss around people a foot taller than me–I was still only 4’8″, having not hit my growth spurt that would rocket me up to 5’4″ inside of eight months–and how the applause, o, the applause! washed over me and officially made me an audience addict. How Earthquake McGoon thanked me for saving his ass when he forgot his lines, how the music cut out during “Rag Offin’ the Bush” (seriously) and we danced an entire number in silence, missing not one beat, and making our terrifying 70-year-old choreographer weep with pride.
I could go into far more detail about those things. But this is not just about those things. This post is about Salt’n’Pepa, and Johnny G.
Johnny G. was a senior, too, and he was Marryin’ Sam. Not literally, of course, although my stage-managing sister Samantha’s favorite line was when he introduced himself, saying, “I’m Marryin’ Sam!” Marryin’ Sam was the preacher of Dogpatch, and had some swell songs and hilarious lines (“Girl, what you got left over’s more than what most folks starts out with.”).
Johnny wasn’t much of a singer, but he could belt, and he was very funny, unlike the fellow in this clip, he was really, really, really hot. So you do the math. Johnny’s the star of the show, really adorable and funny, and was kind enough to not blow off a hangdog, shrimpy 12-year-old who was clearly madly in love with him. He was my first crush, my first love; I’d be standing in JCPenney’s and think I heard his voice over my shoulder, and my heart would flutter, and I’d turn and see a dumpy security guard whose voice sounded nothing like my true love’s. Johnny listened to Motown with me, and agreed that Gladys Knight’s version of “I Heard It Through the Grapevine” was totally better than Marvin Gaye’s.
One night, at a middle school dance, Johnny was there–not sure why, I think he was friends with the DJ–and Salt’n’Pepa’s Push It busted out. Along with “Pump Up the Volume,” it was THE dance song of 1987. I was hanging around Johnny’s side, as usual, when he started dancing–kind of a two-step hop to each side, then a little hop in a circle. I echoed it to him. He did another move. I danced it back. He burst out laughing–not at me, mind you, but in surprise.
And then Johnny and I had a full-on dance-off for the rest of the song.
Pretty sure this is what I looked like in that moment, only with choppy short hair and unplucked eyebrows.
Of course, my love for Johnny G. did not end in me being swept off to marry him in his full Marine dress blues; it ended with me crying behind sunglasses while my mom gently explained the reality of crushes.
A few years later, a Doogie Howser, MD episode featured a girl in love with Doogie, and he got a speech (I think from his mom) that he should be very nice to her, and I had a revelation that Johnny’s niceness was not just an illusion of my bedazzled puberty; that really was him. We all learn the hard lesson of falling in love with a superstar doesn’t usually work out, but a good guy will dull the pain.
I thought of Johnny last Saturday, when we headed over to my neighbor’s house for an impromptu outdoor dance party. Their 8-year-old was demonstrating some of her dance moves. I demonstrated the Roger Rabbit and and running man (both featured in this video). She demanded I teach her.
The running man.
In closing: show a kid a dance, they have fun for a second. Teach a kid to dance, they can boogie down for a lifetime. Additionally, all you fly brothers, get on down here and dance; and Spinderella: won’t you please cut it up, this one time?
I was in the mood for Duran Duran during bathtime last night, Arena-style (the greatest live album ever; if you don’t agree with me, you’ve never listened to the transition between “The Chauffeur” and “The Seventh Stranger”), and as we all know, it kicks off with this perfect concert opener. Duran Duran is begging you: please, please: do you love them? How much?
The answer, of course, is a lot.
This is a gem of a video in a library of great videos–it’s Duran Duran, after all, and they did videos up right. I don’t need to mention the hair (swoopy) or the makeup (perfect) or John’s cheekbones (swoopily perfect), so let’s just skip to the part where Simon’s a flea, walking across a dog’s back, and wonder: what?
Lots of children and babies. I don’t remember them being in the video, but watching it now, I wonder: Why didn’t they give Simon a baby to hold? Were they worried he’d drop it during a dance move? Did it not fit the milieu of the video? Or did they know that Simon Le Bon + Baby would instantaneously send thousands of viewers into spontaneous ovulation?
Derby hats.
Lumberjacks in derby hats.
Cheerleaders.
Giant steps.
Split screens.
I count five scenes from previous Duran Duran videos–how many can you find? Here’s a hint for one.
Lastly, and certainly not least: “You’re about as easy as a nuclear war.” Those of you who understand, understand. Those of you who don’t, perhaps never will, but can try. This moment is the secret handshake of SlumberPartyMovies.com; when I performed this song in karaoke 20 years post-video, I performed the secret handshake and watched as the other writers of this blog performed it, as well, thus guaranteeing that a decade later, though we live 1,500 miles apart, we’re still singing about Duran Duran together.
If you already know “You’re about as easy as a nuclear war,” you may continue reading SlumberPartyMovies.com. If you don’t know what I’m talking about, you must buy “Decade” immediately, watch it five times this weekend, including all four versions of “New Moon on Monday,” whilst drinking Bartles & James and eating Likem Stix, and then write an essay of apology to me and the rest of us Lerlines here at SPM.
There was this thing that happened almost a whole week ago, and you probably either don’t remember it, are reliving every moment, or are trying desperately to forget it ever happened. But it’s true: sports anchors had to talk for a half an hour about something other than overgrown men chasing a brown ball around a green field. I shudder.
Halfway through The Half Blackout of 2013, I thought that this would surely be the weirdest Super Bowl ever. And then the game started, and the team that had been losing in epic fashion came back in epic fashion, and then I thought it was definitely the weirdest Super Bowl, and then a guy from the winning team stood and wandered around the end zone, thus winning the game, and then I thought, “I missed Downton Abbey for this?” (Slate.com backed me up.)
The upside of it all was that I knew what this week’s video would be. Last week, I mentioned how The Escape Club always sends me back to watching my sister spin in front of a mirror, so it’s only appropriate that I have reason to post “Lights Out,” by Peter Wolf. I don’t remember how or why, exactly, but this song was designated as our “spinning song.” On Saturday afternoons, while my mom made pepperoni rolls or bread or both in the kitchen, we stacked all the 45s on the record player and commenced lip sync contests. (Kids: “stacking 45s” was our way of putting a playlist on shuffle.) If “Puttin on the Ritz” played, we grabbed our glitter batons and made like Fred Astaire. If “Almost Paradise” hit the deck, we sang a mournful duet.
And if “Lights Out” came on, we spun ourselves into a nausea so delightful that even Southern Comfort can’t recreate it.
Video highlights:
Actual Degas-style dancers in the dark.
Peter Wolf’s impressive stature. A cursory search of internet revealed no height statistics, but I’d guess he’s about 8’1″.
I’d never seen this video before today. But occasionally I’d hear the song on the radio, and have a very vivid memory of my sister dancing in front of her oversized mirror in my grandmother’s house. Samantha attended Catholic school for three years, living with Grandma and assembling a hefty collection of cassingles in the meantime. As she was a big believer in playing songs until every lyric was memorized, we still know all the words to this song, and it’s always been associated with me sitting on her bed, watching her quick-draw on her reflection before executing a nice cross-ankle/spin.
That was before I’d seen the video. If you have a good memory associated with this song, close out of this browser and never come back. Because if you follow through and watch this video, your nice teenaged memory will be forever tainted by the most disturbing mirror effect ever used in a video. I may never touch a tambourine again.
Can I get a what the fuck?
On the upside, The Escape Club’s lead singer makes Simon le Bon look like Mikhail Baryshnikov. And is that Ralph Fiennes playing the drums?
Three hours ago, we had a light dusting of three-day-old snow on the ground. Now there’s about two inches with no sign of stopping, and most of the businesses and schools in the Pittsburgh area are calling for early dismissals.
This video brought to you by our weekly Friday Morning Videos sponsor, the JCC of Squirrel Hill.
Like any good New Year’s resolver, I headed for the gym this morning, and did not disappoint myself: 20 minutes on the bike, followed by 40 minutes wandering around circuit machines, trying to decide which to use and how to use them. My regular workout soundtrack–NPR’s Morning Edition and Marketplace–was interrupted for this delight coming from JCCTV, who, if you’ll remember, also brought us Debbie Gibson and Barry Gordy’s The Last Dragon.
Not since “St. Elmo’s Fire” has a video so seamlessly tied in a movie and its stars. The Brat Pack only stood in a cold alley and grooved with ennui. Billy Ocean, however, has the music mojo to get three of the 80s’ biggest stars to be Motown-style backup singers. And they do it with such sincerity and panache that one can only sit back and wish we’d been at the wrap party.
The video opens up with Jack telling Joan he’s going to kill her, which means that, even though it’s a sequel, they’re still in love and have fantastic sex. Then we transition to your typical concert video, only this one features Billy Ocean instead of Bon Jovi. We see his ensemble band–horn section, keyboardist, guitarist, drumset… and off to the side, the backs of his backup singers, nattily clad in white tuxedos.
Sneaky!
Then, at minute 1:18… BAM. Faster than a Colombian mudslide, Kathleen Turner, Danny DeVito, and Michael Douglas spin about and break into full choreography. They’re Billy Ocean’s White Knights.
THE Joan Wilder?
Danny DeVito, I get. He’d do anything less boring than watching his hairline recede. And Kathleen Turner clearly harbored a secret dream to be a Ronette. But Michael Douglas? He was already a producer and director and movie star and totally sexy in a Harrison Ford way, except without the indigestion. He’s not as comfortable with dancing, but he demonstrates exactly WHY Jack was such a great character: because the ultimate romantic hero is fun.
They didn’t have to do the video. They had plenty of star power, and money, and the movie was a “Jewel of the Nile,” a less-than-awesome, but still awfully fun, sequel, to “Romancing the Stone,” which is, hands-down, the best romantic adventure ever filmed. Maybe it’s because there are only like five out there, but still. That’s saying something.
I wasn’t the only one disappointed when he went for Melanie Griffith.
So I leave you with two lessons from this video, to ring in your New Year: When the going gets tough, the tough get going, and the tough also get rough. And if you get an opportunity to do something completely shameless, that puts you at risk for public humiliation and is outside your working skill set: do it. And when you do it, think of Danny DeVito.
I don’t often play saxophones, but when I do, I wear sunglasses.
P.S. If you’d like your own Colombian mudslide, go to Applebee’s and snort cocaine off the drinks menu.
Alas, today I’m actually in the office, not working from home, so I can’t do the in-depth talk-about that I usually do with our Friday morning taste of MTV. And honestly, I haven’t been terribly inspired this week. Generally FMVs come about because I’ve been singing a song all week, or some event inspires me, but this week? De nada.
Except this began circulating around the Facebooks, and I think it’s fracking brilliant. Some of MY best memories are of watching videos (that is, videos taped from my grandmother’s cable, since we didn’t have cable, or from Friday Night Videos), and I, too, wondered for awhile why MTV stopped showing videos. And then, honestly, I realized I hated most of the music MTV was playing, and stopped caring, except for in that “I wonder what the M stands for these days” kind of way. I don’t feel bitter about MTV not playing videos, because I have YouTube, and that’s where I can watch 25-year-old videos of music I never stopped loving.
I love many things about this question and response, but several things jump out at me:
The guy is roughly my age. So when he’s bitching about Natalie, he’s totally bemoaning the youngsters and effectively telling her to quit whining, because SHE’S GETTING OLD TOO.
The “executive” he’s playing is named Michael Destiny.
He’s filmed in front of the astronaut.
I didn’t realize it was a parody until I looked up “Michael Destiny” to find out how old he is. That’s how good it is, and how much I wanted to believe a network head would actually say this.
Here’s the truth about me and the other bloggers here at Slumber Party Central: we are getting older. We don’t watch MTV, and haven’t for some time. It’s no coincidence that the videos we play are from the days when MTV DID play videos, because that was the best way for bands to get their music heard. Now, there’s the internet, and YouTube, and little brats who think they’re entitled to steal music just because they can. (Newsflash: IT’S STILL STEALING. YOU ARE A THIEF.)
Very, very rarely does a video trickle up (or down) to my public-radio-listening, antenna-TV-watching household, but when it does, it’s something like this, which I can watch with my two toddlers. Thank you, OK GO, for putting your videos on YouTube, and providing us with an updated version of Sesame Street’s stop-motion animation videos.
Hey, remember what happened on Tuesday? There was this big thing, and a bunch of people won, and a bunch of other people lost, and a bunch of OTHER people were really happy. Or sad. Or angry. And elated.
But in my opinion, the greatest winners of the original American Idol? Nerds. You got it: science, math, and all the beauty therein. Because while all the talking heads were talking with their heads, and the fighters were fighting, and the whiners whining, and the happy people happying, there was one nerd who calmly sat before his computer, staring into the blue pixelated light like a witch into a cauldron, running the same command over and over, reaching out and grabbing polls and opinions and multiplying and subtracting and weighing and balancing, adding newt’s eyes and a pinch of hair from a baby lemur born at 7 AM EST, until he came out with a full list of which states would vote how, and who would win.
His name is Nate Silver, and he is the latest, greatest example of that thing our parents told us over and over in the 80s: Oh, nerd of my loins, taker of abuse and spitballs and rolled eyes and scorn, you of the eyes and legs weakened by reading on the couch all day long, you lovers of Thomas Dolby and They Might Be Giants and Weird Al Yankovic, you who gets picked last in everything but Quiz Bowl: your day will come. Some day, these people who spit on you and scorn you, they will be looking back at these days as the best of their lives, and you: you, my weird offspring, will rule the world. You will be celebrated. And all this will be distant memory.
Yes, ladies and geekmen, our day has come. If looking good is the sweetest revenge, then Nate Silver is the king of the Tri-Lambs, because he looks amazing. He got every state right–every state–and called the game months ago, and never blinked at the detractors, because he had confidence in his algorithims. He depends upon his math, loves his puzzles, and I imagine that every time some new factor enters the equation–a hurricane, say–his eyes light up brighter than his flatscreens, and he calculates its impact, derives its derivations, and, I’d like to think, feeds it into a punchcard slot before a new roll of paper results comes pouring out. And the numbers add up, and he proves that math, and its slightly wackier cousin, science, aren’t just cold scratches on a chalkboard, soulless columns of numbers. They’re cold scratches on a chalkboard, and they have the soul and beauty of a Van Gogh.
And that, my friends, is poetry in motion.
(My only comment on the video is that I hope in future we are kinder to the mad scientists of today.)